LIKE FICTION


The Pleasure and Pain of not Knowing My Name A choreography for the Of Curious Nature Dance Ensemble in a shared evening with Anila Mazharis’ ‘The Future is like whisper yelling’. Here a short video compilation of ‘The Pleasure and Pain of not Knowing My Name’, a piece in three parts. In each part I

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OUT


INSIDE / OUT a double-bill evening of contemporary dance-theatre by LANDERER&COMPANY featuring company-members and choreographers Jessica van Rüschen und Simone Deriu. OUT by Jessica van Rüschen portraits three men, involuntarily together, locked in a small space. Inspired by Jim Jarmusch’s cultmovie ‘Down by Law’ her piece features three original characters who find themselves dealing with

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LUCKY


LUCKY It is man’s greatest insult: the knowledge of his transience. Inspired by Samuel Beckett’s Waiting for Godot, in his new production Lucky, choreographer Felix Landerer explores our being in time: the effort to endure its passing, the waiting that is perceived in our society as an unproductive, intolerable state and which we maniacally seek

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Die Übersetzer – HOW(L)


DIE ÜBERSETZER The world seems more and more alien and confused to many. What does “home” mean in a time of refugee crises and immigration society? How secure or insecure, how open or closed should “home” be? How is “home” constituted for people from different cultures? Jessica Van Rüschen, Menghan Lou, Simone Deriu and Felix

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Revolte!


In REVOLT! Hannoverian choreographer Felix Landerer has his seven dancers explore an explosive topic; is revolution still possible today? With his extremely dynamic movement vocabulary, the company analyses the lack of resistance in the facing of the many injustices in the world and testes the uprising by dance. CHOREOGRAPHY: FELIX LANDERER DANCE: BENJAMIN LANDSBERG, ANILA

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ALBERT


  Fear has many faces: It can bind people together but also separate, save lives but also shatter them. In ‘Albert’ the Hannover based choreographer Felix Landerer addresses the origins of our fears. The title refers to a psychological experiment from the 1920’s that dealt with the learnability of fears. Choreography: FELIX LANDERER Dance: ANNA

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Certain Doubts


A solo Once born demands to live, the doubt. Lives in my head under my skin. -Why are you here? – I ask and see my truth within. “The more I know, the more I doubt. This Solo is an Ode to the Doubt, a character trait to hold dear and damn.” Choreography: Jessica van

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Ross Lost It – Felix Landerer


ROSS LOST IT Everything is achievable, everything is affordable. There is a shortcut in every direction and we are confronted with an informed world that has become unmanageable. In which it’s an art to be able to concentrate on the essential details so not to loose the overview. We are forced to deal with tons

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Us


‘Human Needs’ initiate our actions. In this research period in Dansateliers Rotterdam I focussed on ‘the Art of Performance’. In particular the commitment one is making while performing. I created two physical ‘paintings’ to stage on public locations for a long period of time. The paintings include a situation, physically expressed by the performer, that

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Tahara


Choreography by Itzik Galili, created for the Dutch festival ‘Musica Sacra’. Choreography: Itzik Galili Music: Arvo Part Dancers: Helena Volkov, Jessica van Rüschen Lights: Yaron Abulafia Costumes: Natasja Lansen Festival Musica Sacra Maastricht Premiere Tahara, September 17th 2011  

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